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"Sex, Potions Rock 'n'
Roll!" |
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That's how director
David Yates describes the sixth Harry Potter
installment, The Half-Blood Prince. So why does our hero
look so glum? Empire takes to the set for a
world-exclusive peek at what's bothering Harry this time
around... Words
Olly Richards |
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Having
batted aside familial death, a resurrected foe
(repeatedly and with screaming Gusto) and the sticky
beginnings of puberty, Harry Potter now faces probably
his greatest obstacle so far. No, this has little to do
with the film being darker - thought precedent insists
that each adventure must be one step down the paint
chart - nor that man whose name must not be spoken. The
great obstacle for Harry Potter And The Half-Blood
Prince, which might initially appear insurmountable, is
that many people, even a number of diehard fans,
wouldn't wholly object to skipping this episode and
going right on to the finale...as long as we could have
that bit where the big character dies (has the spoiler
moratorium passed on that yet?) as a prologue, Harry
Potter 6 is a unique proposition in the series' filmic
canon, in that it's the first to come along after we
found out the big ending with the publication of series
finale Harry Potter And The Deathly Hallows. Knowing the
ultimate fates of Harry and friends (and foes)
inherently removes a bit of tension from Half-Blood
Prince, which could potentially feel a bit like a
"Previously on Harry Potter" recap. However, knowing how
the whole wizard shebang ends could well prove to be the
film's greatest ally. |
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"It's great
to know the end," says series producer David Heyman.
"The through-line is now there for us to see and we do
[know what we're building towards]. Of course, we've
always had Jo [Rowling] to tell us if we were leaving
anything important out of the films and I think the
process of writing the movies has always been fairly
organic, but now we do know what is absolutely
necessary...There are a couple of things we might have
left out, but then had to keep in and possibly vice
versa." |
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All previous
Potter movies, even the best ones, have been to some
extent hindered by having to retain as much of the book
as possible, just in case it turns out important later.
Removing that particular shackle (most of Steve Klove's
script was written before the release of Deathly
Hallows, but there were some tweaks made after) means
that this film should be a bit more... |
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For Further
Information, please buy a copy of Empire,
September 2008 Issue @ myNEWS.com
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